Ain el Delbe – The church of St Nohra

Historical St. Georges Maronite Church, Aaqtanit, Lebanon

Name in arabic:  كنيسة مار جرجس الشهيد

City:  Aaqtanit

District:  Saida

Governorate:  South

History: 

كنيسة مار جرجس الشهيد - عقتانيت

بنيت الكنيسة في القرن الثامن عشر، تعرّضت للتخريب خلال أحداث سنة ١٨٦٠. البناء كناية عن عقدٍ مصالبٍ بحنية واحدة. تضمّ الكنيسة أيقونتين مقدسيّيتين للسيّدة والعماد، ولوحةً لمار جرجس تعود لسنة ١٩١٦ من عمل خليل عقل. تجدّدت وأعاد تكريسها المطران مارون العمّار في ٢٤ نيسان ٢٠٢٢.
The church of St George the martyr - Aqtanit

The church was built in the XVIIIth century and sabotaged during the war of 1860. The structure consists of a crossed vault with a single nave. The church holds two icons from the school of Jerusalem: the Theophany and the Madonna and a painting of St George by Khalil Akl dating back to 1916. The church was renewed and reconsecrated by bishop Maroun Al Ammar on the 24th of April 2022.

Hamatoura Monastery, Karm Saddeh, Lebanon

Name in arabic:  دير رقاد السيدة - حمطورة

City:  Kousba

District:  Koura

Governorate:  North

History: 

On the northern side of the village of Kousba, is the monastery of Our Lady of Hamatoura, built in the rocky hollow of a high cliff which overlooks the holy valley of Kadisha. Hamatoura is 84km from Beirut.

The church of Saint Jacob is the most ancient part of the monastery, belonging to the 4th century, while a large cross from the 7th century rises above the outer doorway. Some quite well preserved frescoes dating back to the middle ages cover the walls of the church, one of which shows the Holy Virgin, Queen of Heaven, seated on a throne with the Child Jesus on her knees.

Near the monastery are two venerable churches, one dedicated to Saint Michael and the other to Saint John the Baptist. On the top of the hill one can see the church of St. George. Close by the monastery is a rocky cave where one may perceive the base of a stalagmite, where barren women come to pray in the hope of bearing a child, for this grotto was dedicated to the pagan goddess of fecundity.

Late in the 13th century, at Our Lady Monastery in Hamatoura, Saint Jacob began his ascetic life. Later, when the monastery was destroyed by the Mamlukes, he reestablished monasticism along the perimeter of the ruined monastery. In time, he rebuilt the monastery, regenerating and giving renewed vigor to monastic life in the area. His spiritual briskness, vivacity, and popularity among believers drew the attention of the Mamelukes who set their minds to stop his verve and determination and force him to convert to Islam. He stubbornly refused their relentless pressures. The Mamlukes killed him and burned the church. Today, believers and pilgrims are constantly reporting his apparitions, miraculous healings and other Grace-filled deeds.

St Mary Church, Qsaybeh, Lebanon

Name in arabic:  كنيسة سيّدة النجاة القصيبة

Year built:  1883

City:  Qsaibeh Baabda

District:  Baabda

Governorate:  Mount Lebanon

History: 

دُشّنت كنيسة سيّدة النجاة-القصيبة في عيد السيّدة سنة ١٨٨٣ بسعي وهمّة الخوري بطرس زيدان. تحتوي هذه الكنيسة على ثلاثة رسومات قيّمة لشفيعة الرعيّة (رسم داود القرم، ١٨٩٤) عليها كتابة: "من وجدني وجد الحياة ونال مرضاة الربّ" (أمثال ٨ /٣٥)، ومار مارون (رسم حبيب سرور، ١٩٢٣)، ومار بطرس(رسم جرجس عبدالله أبو جودة، ١٩١١).
من الملفت وجود عين العناية الإلهية على بيت القربان، رمزًا قّل استخدامه بعد منتصف القرن التاسع عشر في الفن المسيحي بعدما أخذ دلالةً ماسونيّةً.
رُمّمت الكنيسة في القرن الماضي وأُعيد تدشينها وتكريس المذبح الجديد في عيد السيّدة سنة ١٩٧٤.
Our Lady of Deliverance Church Qsaybeh
The church was consecrated on the feast of Assumption of Mary year 1883 with the efforts of Father Boutros Zeidan. Three main paintings are hung in the three apses. On the main apse, stands that of the Assumption of the Lady, painted by Dawoud El Qorm in year 1894, with the verse :"For whoever finds me finds life, and wins favor from the Lord" (Proverbs 8: 35) written below the virgin. On the side apses, one can find a painting that depicts Saint Maroun drawn by Habib Srour in 1923, and another one depicting Saint Peter, a work by Gerges Abdallah Abou Jaoudeh, year 1911.
What is remarkable is the presence of the Eye of Providence on the tabernacle, a symbol that was rarely used after the mid 19th century in Christian art for its relation with the Masonry.
The Church was renovated in the past century, and the Altar was reconsecrated on the feast of the Assumption of the Lady year 1974.